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Introducing Escape Velocity: Feminist Folktales from Beyond the Stars

8/24/2019

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So I know I've been a bit of a ghost lately, but I promise, there's a good reason. Better yet, that reason is finally ready to share.

I've been working on a new series of sci-fi folktale retellings called Escape Velocity: Feminist Folktales from Beyond the Stars.

I use the term "series" in the loosest sense. These novellas will all take place within the same sci-fi universe, involving many of the same planets and alien species, but each one will be a self-contained reimagining of a specific fairy tale, myth, or legend. Start anywhere, stop anywhere, no risk of cliffhangers.

How many of these there might ultimately be depends on you guys. If you like them, tell me! More importantly, tell all your friends! There are plenty more folktales out there itching for an overhaul involving badass ladies and laser weapons. If these are a hit, I might even get Matt in on the fun too.

For now, I've got two of these bad girls on the shelves today.

That's right, no countdown. I've been neglecting my reviews, my social media, (my laundry, my loved ones...) all for the sake of getting these ready to enter in the 2019 Kindle Storyteller contest, which closes for entries at the end of August.

I made it! And just in time for Women's Equality Day, too!

What this means for you is that you can read these right now, and if you're a Kindle Unlimited subscriber, you can do it for free. (If not, they're only a buck each.)

If you prefer to go old school, paperback editions are coming in a few days as well.

Without further ado, let's take a look at my new lovelies!


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Once upon a time, on a glamorous space station called Eris, there was a young woman who could spin base metals into gold…
 
At least, that’s what she tells people to separate them from their money.
 
Naia Mills is a con artist, a Human orphan scraping to get by in a galaxy that doesn’t want her, more than a century after her ancestors rendered the Earth uninhabitable. She travels the stars selling fake gold jewelry and elixirs, until the day she unknowingly swindles the son of a space station commander. Now confined to the station and threatened with a slow death in a radioactive penal colony, Naia has three days to buy her way to freedom with an impossible act of alchemy.
 
Eager to get out from under his father’s thumb, and fascinated with Naia’s profession, the commander’s son is an easy dupe and willing accomplice, but to get their hands on the gold they both need to escape, they’ll have to make a deal with the local mob, and a queenpin so powerful and private that even her closest associates don’t know her name.


(Click here to read on Kindle)


I've always wanted to adapt "Rumpelstiltskin." I honestly don't know why Disney hasn't gotten around to it yet; it's well-known and brimming with potential. For one thing, its princess comes about as close to saving herself as the Grimms' heroines ever do. Of course, in my version, her shot at survival comes in the form of an identity theft caper, and she'll have to decide what it's worth to her to save the prince as well.


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Once upon a time, on the second planet from Apocrytus, there was a monster whose face men trembled to behold…
 
Or they would, if they knew who she was. Perhaps she should leave more survivors.
 
Meligora lives for revenge, but it’s not as dreary as she thought it would be. Her old life ended when the Brotherhood took control of her planet and started rounding up women for mandatory “conversion,” removing their stingers, wings, and most of their eyes, looting their bodies for their valuable reproductive organs, and leaving them docile shells of their former selves. But after her own botched procedure turned her into a lethal weapon instead of a slave, she learned to make the best of things, bending Brotherhood enforcers to her will and slaughtering them in droves each night.
 
She knows it’s only a matter of time before someone tries to stop her, but when a young Human bounty hunter finally follows her trail of corpses, he offers her a choice: stay a wanted killer of dime-a-dozen thugs, or join him in tracking down the man who mutilated her.


(Click here to read on Kindle)


Unlike "Rumpelstiltskin," I picked the legend of Medusa because of how abjectly horrible and in need of fixing the original story is. Seriously, look it up. Or don't, if you want to continue having a good day. Naturally, I took a lot more liberties with this one, and the result is an intense yet fun revenge fantasy that I'd roughly quantify as a blend of Deadpool, Aliens, and Ginger Snaps. I'd also unreservedly call it my most bizarre work to date.


So that's that! For today, anyway. Thanks for checking out what I've been up to this summer, and if I've sufficiently intrigued you, happy reading!


(Note: because these are on Kindle Unlimited, they're not available in digital form anywhere other than Amazon. However, if you're interested in writing a review and aren't set up for mobi files, email me.)


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Book Review: The Private Life of Jane Maxwell

8/11/2019

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Book Review:
 
Hopefuls #1: The Private Life of Jane Maxwell
 
Jenn Gott
 
2017
 
Grade: A+
 
The Basics:
 
Jane Maxwell, a comics artist and writer recently fired from her job in the wake of a social media firestorm kicked up by bigoted fans, finds herself dragged into a parallel universe where her hit superhero series is reality. Mostly. This world’s alternate versions of her high school friends really are the superheroes she based on them for her comics, with one exception. Instead of the male headliner Jane’s publisher demanded, the real heroes’ leader is Jane’s own counterpart. And she’s missing.
 
The team needs Jane to pose as her alternate self to draw out a diabolical new villain who’s wreaking havoc on their city. Jane wants to refuse, much more comfortable living on the safer side of the page, but there’s one other important difference in this alternate reality: Jane’s late wife, Clair, is still alive.
 
The Downside:
 
There are a few little errors and some awkward transitions between past and present tense. About half of the superhero team is pretty undeveloped, but that’s okay. Having a full team is necessary to the concept and setting, and they take an understandable back seat to the main characters’ story.
 
There’s also some slight muddying of the themes, in the nature of Clair’s superpowers and place on the team. Jane has often had misgivings about giving Clair’s character something as passive as empathy, which keeps her out of most of the action, but then finds out it’s because that’s just the way she is in the alternate universe — the same alternate universe where the sexism of her publisher generally doesn’t apply. That said, Clair’s powers are pretty essential to the plot, and she’s much more interesting than the average mind-powered love interest (*coughJeanGreycough*).
 
The Upside:
 
The Private Life of Jane Maxwell is an absolute must for any prose-reading comics fan, written with evident understanding and love for both media. Thoughtful internal monologue, too detailed to be contained in little square text boxes, is interspersed with visual descriptions so bright and vivid they’re like having the lovingly composed pages of a comic book beamed directly into your mind, all wrapped around a story that embraces both the colorful, silly melodrama and the complex emotional speculation that comics universes are capable of.
 
For all the lush, immersive description, not a word is wasted without pulling the reader deeper into the story and the hopes and fears of its characters. Within a few short chapters of being introduced to Jane, seeing her thrown into a room with her dead wife’s doppelganger has the kind of impact so many superhero TV shows can only dream of pulling off with the help of five or six seasons of familiarity and context.
 
This is a story that contains flamboyant costumes, evil twins, and a guy called Doctor Demolition. It’s also a story that delves deeply into what it would feel like to learn that your life is just one possible version of itself, and to meet another version of your lost love, who isn’t lost and was never your love, at least not yet. Where so many writers would only get as far as recognizing that this is awkward and painful, Gott pushes through to what comes after that, what the strange nature of their relationship is, and how that shakes their understanding not only of relationships but of their own identities.
 
The result is a unique adventure and love story, plus an introduction to a compelling new superhero title with the potential to be as iconic as the best of them.




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