Blog Archives

Giveaway and Cover Reveal: Black Moon

2/28/2014

Next up this cover reveal season, the second book of The Moonlight Trilogy by Teri Harman, Black Moon. To celebrate, she's giving away an autographed hardcover of the first book, Blood Moon, and you can enter to win at the bottom of this post! Well, actually at the time of this posting, we're having a little trouble with the giveaway code, but hopefully it will be sorted out soon.

Click here to read my review of Blood Moon.

Now let's have a look at that cover!

About Black Moon

Simon Howard accidentally killed three people. Four months later, the nightmares won’t stop. Willa Fairfield, his girlfriend, his soul mate, wants nothing more than to help him move on. But guilt isn’t the only thing getting in Simon’s way.

When unexplained earthquakes hit the small town of Twelve Acres, and dozens of people go missing, the Light witches discover their most feared enemy, Archard, is still alive. Employing the twisted, dynamic magic of a legendary witch known as Bartholomew the Dark, Archard plans to exact his revenge and take control of the Powers of the Earth on the night of the black moon, a rare lunar event infamous for Dark magic.

As the Light Covenant fumbles to defend against Archard’s sadistic intentions, Simon’s magic grows inexplicably more powerful, even dangerous. Willa throws all her efforts into solving the mystery of Simon’s transformation, but when the events of the past storm into the present, the couple’s future changes forever.

About Teri Harman

Teri Harman has believed in all things wondrous and haunting since her childhood days of sitting in the highest tree branches reading Roald Dahl and running in the rain imagining stories of danger and romance.

Currently, her bookshelf is overflowing, her laundry unfolded, and her three small children running mad while she pens bewitching novels. She also writes a bi-weekly book column for ksl.com, Utah's #1 news site and hosts a monthly television segment for Studio 5, Utah's #1 lifestyle show.

You can find her on her blog, on Goodreads, on Facebook, and on Twitter.

a Rafflecopter giveaway

0 Comments

Fi's Five Favorite Fictional (Mostly Insane) Romantic Gestures #1: "Tie a Yellow Ribbon 'Round the Ole Oak Tree"

2/26/2014

0 Comments

(Click the links to read Favorite Fictional Romantic Gesture #2, #3, #4, and #5)

In the top spot, rounding out this February celebration of crazy-sweet acts of love, is a '70s hit song, "Tie a Yellow Ribbon 'Round the Ole Oak Tree," which you can listen to here:

If you've never heard it, here are the basics:

The poetic speaker has just been released after three years in prison for stealing something. We never find out what or why.

The important thing is that he had a girlfriend when he was arrested, and he's on his way back home, not knowing whether she's moved on without him while he's been gone.

He wants her back, but he acknowledges that three years is a long time and that it's his own fault he was gone, and he doesn't want to force her into an uncomfortable confrontation or walk in on something he doesn't want to see, so he's sent ahead a letter.

"I'll stay on the bus, / forget about us, / put the blame on me, / If I don't see a yellow ribbon 'round the ole oak tree."

This invites plenty of awful potential scenarios involving postal service failures and tragic misunderstandings, so as sweetly as he means it, this isn't the gesture that takes this spot.

But luckily for him, this isn't a tragic story, his girlfriend hasn't moved, and the letter arrives safely, giving her the chance for the gesture that tops this list.

"Now the whole damn bus is cheering / and I can't believe I see / a hundred yellow ribbons 'round the old, the old oak tree."

I realize it's a figure of speech, but can you imagine tying a hundred ribbons to a tree? I always picture this tree covered with every bit of yellow cloth she could get her hands on, around every space she could reach, wrapped around the whole trunk, blowing in the wind from the branches like streamers.

This is admittedly the least crazy gesture on this list. Ribbons aren't particularly difficult or risky to come by, but I'd call it one of the sweetest.

The singer poses a question, effectively "Do you still love me?", the ultimate request for reassurance. He's desperate and apologetic. It would only take one ribbon for her to say yes and have him back, grateful and eager to make the last three years up to her, but she doesn't play that game.

Instead of saying yes, she shouts it from the rooftops, emphatically, unreservedly, and beyond his wildest expectations, and it gives me the warm-and-fuzzies every time I hear it.

Agree? Disagree? Comments are always welcome! Or keep up with my fictional musings by joining me on Facebook, on Twitter, or by signing up for email updates in the panel on the right!

0 Comments

Cover Reveal: Mojave Green

2/26/2014

2 Comments

Next up in this week of cover reveals, Mojave Green, by The Brothers Washburn!

About Mojave Green

Camm and Cal thought they had killed the unearthly creature that preyed upon the people in their isolated mining town deep in the Mojave Desert. Off at college, they feel safe, until they hear news that Trona’s children are still disappearing. Caught in that nightmare since childhood, Camm feels responsible for the town’s children. As her life-long best friend, Cal feels responsible for Camm. With unsuspecting friends in tow, they return to warn the town’s innocent people, but things have changed.

Death comes in a new form. The dimensional balance is altered. Crossovers multiply. The situation spirals out of control, and Cal is pulled into another world where his chances of survival are slim. Without Cal, Camm seeks help where she can, even from the dead. Soon, she is on the run from relentless federal agents, who are hiding secrets and pursuing their own agenda. The mysterious depths of the Searles Mansion may yet contain a key to stopping alien predators, if it is not already too late.

About The Brothers Washburn

A. L. Washburn and B. W. Washburn are licensed lawyers and full time writers, residing in Colorado and southern Utah. They grew up in a large family in Trona, California, a small mining community not far from Death Valley, and spent many happy days in their youth roaming the wastelands of the Mojave Desert. After living in Argentina at different times, each came back to finish school and start separate careers. Living thousands of miles apart, they worked in different areas of the law, while raising their own large families.

Each has authored legal materials and professional articles, but after years of wandering in the wastelands of the law, their lifelong love of fiction, especially fantasy, science fiction and horror, brought them back together to write a new young adult horror series, beginning with Pitch Green and Mojave Green. They have found there yet remain many untold wonders to be discovered in the unbounded realms of the imagination, especially as those realms unfold in the perilous wastelands of the Dimensions in Death.

You can find them on their blog, on Twitter, on Facebook, and on Goodreads.

2 Comments

Cover Reveal: Abroad

2/25/2014

0 Comments

It's cover reveal season again! Matt and I have one coming up this week, but first, let's have a look at Abroad, by Christine James and Amelia Cole!

About Abroad

Best friends Avery and Nina have just graduated from college and are stunned when Avery's parents gift them with an all-expenses paid, eight amazing week trip through Europe. It's their last chance to be completely carefree before the responsibility of adulthood consumes their lives. Setting out on an epic adventure, they have no idea that with every country they visit their friendship will begin to unravel. While one is busy running from her past, the other is searching for her future. Will they let distractions pull them apart? Will their friendship survive one amazing summer . . . Abroad?

About Christine James and Amelia Cole

Amelia Cole and Christine James could not be more different than night and day. With over a thousand miles between them, culturally they have almost nothing in common and their backgrounds lie in striking contrast. Christine is a typical Midwestern girl more comfortable in boots and playing hard with her brothers, while Amelia is more reserved in her New England roots.

However, with a few clicks of the mouse, in 2008, that all changed. The girls met in a writing group on a social media site. Although they have only met in person twice, they speak every day through one form of communication or another. This comfortable, daily routine has both built and cemented their relationship into much more than just a friendship and their differences only bring them closer.

Their love of writing and storytelling has been a huge brick in the foundation of their friendship and they often discuss their current projects or ideas, giving advice and seeking help when stymied by a storyline or difficult character. Despite two completely different writing styles, they finally decided to undertake a project together. These new characters are a blending of both women; the good, bad and ugly!

You can find Christine James on her blog, Facebook, Twitter, and find out more about Abroad on Goodreads.

0 Comments

Fi's Five Favorite Fictional (Mostly Insane) Romantic Gestures #2: Tangled (Haircut Scene)

2/20/2014

0 Comments

(Click the links to read Romantic Gesture #3, #4, and #5)

If you haven't seen it, Tangled is Disney's recent retelling of Rapunzel. I won't call it the most perfect of Disney movies; plenty of the humor feels like it was written by a committee with a few of its members under the impression that Dreamworks is a viable role model,

Guess which of these famous Fionas I get compared to the most. Go on, guess.

…And it seems to forget about halfway through that it's supposed to be a musical, but I love it anyway for what songs it has, and for its princess, prince, and the relationship between them.

Rapunzel has been trapped all her life in a tower with no one but the woman she believes is her mother. Unlike in the fairytale, this Rapunzel's hair has magical healing and youth-restoring properties, and her imposter mother, Gothel, only cares about her as a way of living forever, but her imitation of love is all Rapunzel has ever known.

This Rapunzel also runs away from her tower voluntarily when she realizes Gothel will never let her go, a change I'm going to call a fair exchange for cutting the eye-gouging scene from the original.

No, I'm not joking.

...Anyway, Flynn, our prince, is a petty thief who stumbles across Rapunzel's tower right when she’s in the mood to blackmail someone into giving her a tour of the outside kingdom.

He's an orphan, born Eugene Fitzherbert, who's created his Flynn Ryder rogue persona in an effort to redefine and take care of himself alone.

On their adventure through the kingdom, they both develop feelings for each other beyond what they originally wanted out of their deal, but through a combination of Gothel's interference and Flynn's criminal past, they end up separated, with Rapunzel back in her tower and Flynn awaiting execution.

With some help from their new friends, Flynn breaks out of prison and goes back to find Rapunzel.

This is where we finally get the obligatory hair-climbing scene that there are mysteriously few screen captures of.

When he gets into the tower, Gothel stabs him in the side and tries to drag Rapunzel off to a new secret location, but Rapunzel convinces her to let her save Flynn with her hair first, promising in return to continue keeping her young without a fight.

That's a serious gesture. Flynn's response to it is even better.

When Rapunzel gets close enough, he cuts her hair,

...Making her useless to Gothel and setting her free.

This is a one-two character moment for him. He's spent his life only taking care of himself, she's spent hers being appreciated for her hair's power and nothing else. In one moment, he changes both those things.

So what happens? Gothel crumbles into dust, Flynn passes out from blood loss, and Rapunzel discovers that her healing power is in her tears too.

To anyone who thinks this comes out of nowhere, try reading the eye-gouging fairytale version in which Rapunzel has shown no magic powers whatsoever up to this point.

Agree? Disagree? Comments are always welcome! Or keep up with my fictional musings by joining me on Facebook, on Twitter, or by signing up for email updates in the panel on the right!

0 Comments

Confessions of the Very First Zombie Slayer (That I Know of) Autographed ARC Giveaway!

2/17/2014

0 Comments

Goodreads Book Giveaway

Confessions of the Very First Zombie Slayer

by F.J.R. Titchenell

Giveaway ends February 21, 2014.

See the giveaway details at Goodreads.

Enter to win

That's right, the first giveaway of an autographed Advance Reading Copy of Confessions of the Very First Zombie Slayer (That I Know of) is live on Goodreads! I'll be giving away a few of these before release day, but if you want to be one of the first to read it, go on and try your luck!

The Teaser:

The world is Cassie Fremont’s playground. Her face is on the cover of every newspaper, she has no homework, no curfew, and no credit limit, and she spends her days traveling the country with her friends, including a boy who would flirt with death just to turn her head. Life is just about perfect—except that those newspaper headlines are about her bludgeoning her crush to death with a paintball gun; she has to fight ravenous walking corpses every time she steps outside; and one of her friends is still missing, trapped somewhere in the distant, practically impassable wreckage of Manhattan. Still, Cassie’s an optimist. More prone to hysterical laughter than hysterical tears, she’d rather fight a corpse than be one, and she won’t leave a friend stranded when she can simply take her road trip to impossible new places to find her, even if getting there means admitting to that boy that she might just love him, too. Skillfully blending effective horror with unexpected humor, this novel is a fast-paced and heartwarming read.

Go on, go enter! I'll wait.

0 Comments

Fifteen Reasons Why I Have the Best Husband in the World

2/13/2014

1 Comment

I was originally going to do something more general interest today, maybe a runner up to the romantic gesture countdown, or a romantic reading list, but screw it. It's Valentine's Day and I'm in love, damnit, and I’m going to write about what I'm really thinking about.

This is by no means a comprehensive list.

1: He can always make me laugh. Yeah it's become a cliché, but it's true. My life without his sense of humor would be a bland and somber place.

2: He can appreciate things like musicals and YA lit with me and hope for the same depth in them that I do. He's a romantic in all the important and best ways.

3: He also taught me to appreciate things like, oh, horror, comic books, things that are part of me now that I could have missed out without him.

4: He proposed to me like this. If you don't know the story, yes, we're dressed as Ghostface and Carrie. It was Halloween.

5: He thinks my YA drama style is worthy of imitation

6: I do my creepiest work by imitating him.

7: He cares about what's important to me. Sure, we've both got our competitive streaks that help us spur each other to be better, but the support is always, always there.

8: After eight years of friendship, dating, and marriage so far, he's always happy to see me, and I can't wait to see him.

9: He’s not afraid to sing.

10: He’s not afraid to dance

11: He’s a picky eater who trusts me to cook for him, the quick and the complex, the healthy and the decadent, and everywhere in between.

12: He’s happy to snuggle under a blanket with grilled cheese sandwiches and the same movie we’ve seen a hundred times when money’s tight.

13: When there is money to splurge with, he knows it will buy a hell of a lot more fun in the form of books, games, DVDs and day trips than in diamonds.

14: He's my critique partner, brainstorm partner, and, when all else fails, my designated driver.

15: He understands and forgives all my artistic neuroses. He gets the ups, downs, and compulsions the way no non-author could. All without either of us being the drugged out, ear-removing sort of artistically neurotic. That's part’s nice too.

I love you, Matt. Happy Valentine’s Day.

1 Comment

Fi's Five Favorite Fictional (Mostly Insane) Romantic Gestures #3: Love Actually (Looking for Natalie Scene)

2/11/2014

2 Comments

(Click the links to read Romantic Gesture #4 and #5)

Love Actually has been called the ultimate romantic movie, and I'd say it's about as close as you can get to that very hefty title.

It's several different stories about love loosely woven together around the countdown to Christmas, and several of them culminate in romantic gestures so crazy-sweet that I had a hard time picking just one.

I've already talked about the message board declaration of love between Mark and Juliet in my countdown of favorite fictional love triangles, and I was about an inch from picking Jamie's broken Portuguese wedding proposal for this spot,

But in the end, David's door to door search won out.

David (Hugh Grant) is the Prime Minister of England, under constant pressure to present the perfect public face at all times.

Natalie (Martine McCutcheon) is a member of his domestic staff and adorkably untalented at self-presentation, and there are sparks between them at first sight.

She’s also the target of all the office fat jokes, but to David's credit, he finds this as baffling as any sane person should.

Then the US president visits for policy negotiations, makes a pass at Natalie (who responds with nothing but stunned, uncomfortable confusion), and the two heads of state get into a very public bitching match at their joint press conference.

Lucky for David, this movie was made during the thick of the Iraq war, so English anti-American public sentiment is high enough to let him get away with it, but afterward he tries to avoid complications by having Natalie transferred out of regular contact with him.

We see him quietly regretting his decision for a while until Natalie finally sneaks him a Christmas card basically apologizing for not standing up to the president herself (not something you usually expect to have to apologize for in a love letter, but there you go), and declaring her love.

Yeah, this is a moment that calls for a big gesture.

David wants to answer Natalie right away, to make up for avoiding the issue for so long, but presumably the HR people have all gone home for Christmas Eve dinner, because he doesn't know anything about how to reach her except for a vague description she once gave him of where she lives, including a street name.

He takes off to look for her, and finds what he describes in the moment as the longest street in the world.

Just for the chance to talk to her before the next business day, he walks door to door, on Christmas Eve, with one of the most recognizable faces in the country, with only his chauffer and no bodyguards, asking for her, through a never ending parade of people asking if he's who they think he is, and one instance of children cajoling him into singing carols, like any normal person going door to door on Christmas Eve.

And then he tops it off by having to explain himself to her entire family and then carpool with them to a school Christmas pageant, which is taking place on Christmas Eve for some unexplained reason.

This is definitely one that qualifies as both insane and very sweet. It's not well thought out at all, it's not particularly necessary – Natalie would have been more than thrilled to hear from him on Monday morning – but it's a gesture that perfectly embodies that element of love that says, "Screw absolutely everything but you."

For that, it wins this spot.

Agree? Disagree? Comments are always welcome! Or keep up with my fictional musings by joining me on Facebook, on Twitter, or by signing up for email updates in the panel on the right!

2 Comments

Is the Uglies Series Untranslatable?

2/8/2014

2 Comments

A movie adaptation of one of my favorite books, Uglies, by Scott Westerfeld, is apparently in production once again. Whether it'll make it all the way to release this time is anyone's guess.

Whether it should make it that far... I'm going to say that's up for debate too.

I wrote on this topic once before this blog began, when my Facebook page was new, and it's been on my mind again a lot lately as I've gotten into my new work in progress, which, like Uglies, deals a lot with body image issues. I'm working out how and how much to describe my characters to get the spirit of the story across without inadvertently generating more fodder for unfair standards and comparisons.

Now seems like a good time to re-post.

I hesitate to call any work “untranslatable,” mainly because the term can easily be applied broadly enough to lose all meaning. Different media have different capabilities, so when a story is adapted from one to another, something is inevitably lost. In a good adaptation, the essentials survive, and in a great adaptation, new facets are discovered that the original medium was less equipped to explore.

I favor more faithful adaptations; I’ll rarely criticize a piece for sticking too closely to its source material, and I’ll be ruthless if I feel it’s missed the original point, but working under the assumption that all works are untranslatable to some extent, I can never say with full confidence that anything is impossible to adapt in a worthwhile way.

The usual examples don’t sway me on this point. I like the movie version of Watchmen. I think Little Shop of Horrors works just fine with a tragic ending and no curtain call. The only story that has made me seriously consider the possibility of untranslatability is Uglies, by Scott Westerfeld. And that kind of breaks my heart, because it’s one of my favorite stories, and it deserves to be explored as deeply and brought to as wide an audience as possible.

If you’re not familiar with the basics of the Uglies series, here they are with minimal spoilers:

In a sci-fi futuristic dystopia, everyone receives an operation on their sixteenth birthday to make them perfectly, flawlessly beautiful. Pre-op, you’re an Ugly. Post-op, you’re a Pretty. A small fraction of the population is selected to become enforcers known as Specials, who receive a different operation that makes them more intimidating beautiful. Our hero is sucked into a group of rebels who’ve discovered that the operations aren’t just cosmetic; they include brain alterations that make people more compliant (or in the case of Specials, less compassionate) and keep the seemingly perfect futuristic city under easy control.

Now, it’s one thing to say that Pretties are pretty and Uglies are ordinary and Specials are both pretty and scary. It’s much harder to show it inarguably. Westerfeld gets to describe what the different operation results feel like to look at, and the message gets across. Certainly, there are images that can get the right general reaction, but they can’t be as accurately tailored to each person’s natural responses as the images the text elicits when it targets the reaction directly.

Yes, the argument that “I prefer my own imagination” is used pointlessly by someone against every movie adaptation that gets made, but few stories rely so fundamentally on the effects of images. In universe, the effect is quantifiable and objective. When made real, they suddenly become subjective.

One of the most basic principles of the Uglies universe is that everyone is born “ugly.” They are seen as such because of the naturally unattainable standard of surgical prettiness that the characters are all used to seeing. How does one cast an actress to look ordinary next to "Pretties" while making the point than she is not in fact ugly? And that's only the problem with the first book. How does one then present that same actress as each of the three surgical categories she ends up in over the course of the series?

Uglies is a sharp, smart, complex commentary on body image and standards of beauty, and also nature vs. nurture vs. free will concepts of identity. Social commentary aside, it’s a solid epic adventure with a female hero and a moving romantic subplot that does not render her passive or eclipse her heroic journey, and the world can certainly use as many of those as it can get with as prominent a showing as possible, but I simply can’t picture the necessary visuals for a film version to have the intended effect.

Fingers crossed that I’ll get to believe it when I see it.

Agree? Disagree? Comments are always welcome! Or keep up with my fictional musings by joining me on Facebook, on Twitter, or by signing up for email updates in the panel on the right!

2 Comments

Fi's Five Favorite Fictional (Mostly Insane) Romantic Gestures #4: "Drive" (Star Trek: Voyager Episode 149)

2/4/2014

0 Comments

(You can read Favorite Fictional Romantic Gesture #5 here)

That's right, the next gesture is from Voyager, of all places.

Voyager is widely regarded as one of the least of the Trek series, and for good reason. About half the cast is woefully underused, and the other half changes their principles and attitudes wildly on a weekly basis to suit the needs of whoever is at the writer's desk at the time.

Also, there's that time when a potentially invasive, never-before-seen species is abandoned on an uncharted planet, presumably because everyone was just too embarrassed to acknowledge the transmutational lizard sex that created it.

Really.

This episode is one that focuses on a couple of neglected characters, Tom Paris and B'Elanna Torres. No, they never get a chance to venture into full favorite character territory, but the time we do get with them is enough to make me think that they could have. This sweet, simple moment especially.

In “Drive,” Voyager is passing by a cluster of civilizations that are having a warp capable small craft race as a celebration of their peace treaty, and welcoming outside challengers.

Tom is a pilot, so this is a chance for a once in a lifetime experience for him. In the excitement, well, he sort of forgets that he and B'Elanna had plans for the weekend.

B'Elanna is hurt, but she doesn't tell him what she went through to get the weekend off or how much she was looking forward to it and tries to focus on supporting him. She joins the race as his partner, to get some time with him and to help, but privately she's come to the conclusion that their lives and goals don't line up, that she's not sufficiently important to him, and that they're simply not meant to be together.

Tom stays oblivious to the whole problem until it spills out in the middle of the race. When he finds out that B’Elanna is doubting his love, here's the big moment: he stops the shuttle craft dead on the track and refuses to start it again until they work things out.

How is that insane? It has to be noted once more that Tom is a pilot. Ships and racing are his passion and identity, and today he’s the first human ever to compete in this interplanetary event, but at the first hint of losing B’Elanna, he puts the game aside, no agenda, no hesitation, not even an undertone of “Fine, now are you happy?” It's what every romantic gesture should be, honest.

When B’Elanna is shocked to find out she means that much to him, he tries to explain that he's always tried not to be too sentimental around her, because he always thought, as a half Klingon, it wouldn't be her style.

A common human misconception.

Now, much as B’Elanna’s been needing some serious reassurance, like anyone who could possibly be worth a gesture this extreme, she sincerely doesn’t want to get in the way of what Tom wants. She tries like hell to get him to win the race first, while he has the chance, and finish their conversation later, and when he won't, she explains the problem as succinctly as she can,

"You always seem to have other priorities."

Giving Tom his opening for the most romantic line in this whole mediocre series.

"I'm showing you my priorities right now."

Take note, boys (and girls too), this is how it's done. No flowers or overpriced bits of condensed carbon required. This isn't a gesture that screams "I love you" as loudly and with as many expensive frills as possible. This is a gesture that proves it, and that's what earns it this spot.

So what happens next? Tom and B'Elanna get engaged and then go stop a bombing intended to sabotage the race and the peace it represents.

Of course.

Agree? Disagree? Comments are always welcome! Or keep up with my fictional musings by joining me on Facebook, on Twitter, or by signing up for email updates in the panel on the right!

0 Comments

<<Previous

Giveaway and Cover Reveal: Black Moon

About Black Moon

About Teri Harman

Fi's Five Favorite Fictional (Mostly Insane) Romantic Gestures #1: "Tie a Yellow Ribbon 'Round the Ole Oak Tree"

Cover Reveal: Mojave Green

About Mojave Green

About The Brothers Washburn

Cover Reveal: Abroad

About Abroad

About Christine James and Amelia Cole

Fi's Five Favorite Fictional (Mostly Insane) Romantic Gestures #2: Tangled (Haircut Scene)

Confessions of the Very First Zombie Slayer (That I Know of) Autographed ARC Giveaway!

Goodreads Book Giveaway

Confessions of the Very First Zombie Slayer

by F.J.R. Titchenell

Fifteen Reasons Why I Have the Best Husband in the World

Fi's Five Favorite Fictional (Mostly Insane) Romantic Gestures #3: Love Actually (Looking for Natalie Scene)

Is the Uglies Series Untranslatable?

Fi's Five Favorite Fictional (Mostly Insane) Romantic Gestures #4: "Drive" (Star Trek: Voyager Episode 149)

Get updates & coupouns from
Fiona J.R. Titchenell:

Search This Blog:

Support Fiona J.R. Titchenell and get exclusive content:

Find
Fiona J.R. Titchenell:

Archives

Categories

About Black Moon

About Teri Harman

About Mojave Green

About The Brothers Washburn

About Abroad

About Christine James and Amelia Cole

Goodreads Book Giveaway

by F.J.R. Titchenell

Get updates & coupouns fromFiona J.R. Titchenell:

Subscribe

Search This Blog:

Support Fiona J.R. Titchenell and get exclusive content:

Find​Fiona J.R. Titchenell:

Archives

Categories

Get updates & coupouns from
Fiona J.R. Titchenell:

Find
Fiona J.R. Titchenell: